Saturday, 6 May 2017

Abstracting the horse



Really pleased with this total chance one which popped out today   Blurred movement is probably a good way for my horses right now.



Now (10th May) working on a photo composition from Newmarket a few years ago.  Experimenting, moving from a fairly exact version via a playful experimental sketch version through to version 2.
It is hard to see from the photograph what the paintings are like because texture and movement are quite important.  I am trying to work out what is interesting and important, it has to be the stripes and the pink jacket and the denim legs, plus the horse's body and legs.  Version 2 was enjoyable to do (it is unfinished as yet) because I felt much freer and more involved with it and it seemed that the subject was essentially the horse and rider relationship.  But I don't think I have the proportions quite right. Version 1 appealed to my more logical side.  I like the watery sketch too, it is probably the best!  In all cases, I worked out the main colours first and prepared my palette, but was prepared to play with that (see the sketch version)

Next stage - I did another version with more paint and energy and eventually started to see beyond the surface (stripes and pattern) to the basic composition, rhythm and shapes.  Huge moment.  Having established the key shapes I then did a free drawing playing with the basic shapes, then moved into that with the main colours, which I know by now.  This may turn back into a figure of a rider.


Photograph

Version 1 painting  acrylic on canvas
  
Version 1 +

Having a play  acrylic on card
Version 2 unfinished   acrylic on canvas
Version 2 blurred out a bit



Shapes and rhythms
Abstract version :)



Wolfgang Tillmans "Book for Architects"



"The Book for Architects" is a video installation of 450 images, reflecting Tillmans' fascination with architecture and "the contrast between the rationality and utopianism that inform design and the reality of how buildings and streets come to be constructed and inhabited".  Tillmans "hones in on the resourceful .. ways in which people adapt to their surroundings to fit their needs.  These are individual and uncoordinated decisions that were not anticipated in architects' plans but still impact on the build the environment"
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  (quote from the accompanying leaflet published by Tate)




Tillmans' statement:



Over the past ten years, I have photographed buildings in ordinary and extraordinary contexts in thrirty-seven countries on five continents.  Displaying the complexity and the irrationality – sometimes madness – and at other times beauty of architecture, these pircutres in their totality seem to me a little daunting, but have always been taken with a kind eye.  I’m aware that architecture is an expression of desires, hopes and ambitions, s well myriad practical needs and limitations that shape a structure’s design.  I’m fascinated by the infinite number of formal and structural solutions, seen en masse and the world over, that human logic found for similar problems.

Book for Architects is not a book design but a video installation, presented as a looped projection of still images on  two walls.  My interest is not a typological examination but to show a dequence and an arrangement of images that echo what examples of the built environment look and feel like to me.  I don’t use wide-angle or shift lenses but a standard lens that most closely approximates to the perspective of the human eye.  The various elements of architecture appear here at times clearly and cleanly, while at other times in a layered and convolurted way.  As such, the installation represents an d emulates the randomness, beauty and imperfection that characterises built reality, both past and present.

Wolfgang Tillmans  2014

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Saturday, 29 April 2017

Abstracting the figure more


Figure on yellow    Acrylic on board

Exploring the new sensations of colour and drawing together

Nude in progress
Further on with this one







Monday, 24 April 2017

Peter Doig on Bonnard

Peter Doig   White Canoe

Peter Doig  The Architect's Home in the Ravine

Peter Doig writes of Bonnard:
"Somehow he is painting the space that is behind the eyes.  It is as if you were lying in bed trying hard to remember what something looked like.  And Bonnard managed to paint that strange state.  It is not a photographic space at all.  It is a memory space, but one which is based on reality."

Pierre Bonnard  2005 in    Peter Doig, Phaidon.

Pierre Bonnard  The Intimiste

Saturday, 22 April 2017

The abstract trip

Angel of the North (work in progress)


Life study (work in progress)

I am experimenting with a more abstract approach, here are a couple of pieces in progress, made with a limited palette and over a build-up of marks and coloured shapes.  This is a free way of working which I love, but I maintain a precis study and exploration as well.  Here is a preliminary profile drawing of me.




Here is the latest version of the life study




Thursday, 13 April 2017

Freedom and analysis

 I want to explore more of the free approach to painting that I experienced in Pauline Agnew's e-course.  I worked for months on this garden subject and know its colours and compositions well, so I did a colour sample of the colours, then went "free" with the resulting selection. I thoroughly enjoyed this moment of spontaneity and  freedom, and yet felt a bit lost because although it feels natural to me it is so different from the analytic and slow process of learning to paint.  The latter often produces good results.. eventually.  And I learn a lot, particularly the necessity of really engaging with a painting with all the despair that can entail.

So today I returned again to observational work, currently a self portrait (more struggle here!), but then suddenly saw a figure in the one of the little free pieces I did yesterday.
So I started to introduce it into the painting.  This is good because the energy is already there.  Also I think I realise what Pauline Agnew means by the background and the figure being one.

So what works for me at present is to stick with the painstaking observational work and studies of anatomy, but also to have some joyous playtime which brings together the figure and elements of colour.  These different processes can mesh, and provide a way of taking my painting into a new place.....
Dunblane painting

Colour sample from above
Free version 1

Free version 2

Starting to "find" a figure in version 2

Tuesday, 21 March 2017

Abstracting the Figure with Pauline Agnew

Diana |Hand Copy of Degas drawing
I am very much enjoying this three week course with Pauline Agnew, in which we are discovering a new and more relaxed approach to figure drawing and painting.  Here is a large drawing I did today, a "hybrid" between drawing and painting in Pauline's terminology.

More to come...  All the study of the past two years in anatomy and life drawing is beginning to make sense   Hurray!  Here are two more pieces, the lower one is a quick study from a Bonnard painting.  Need to do a little more on it but not too much.